[Vhfcn-l] Monday musings

Tue Oct 22 09:08:57 EDT 2019

My idea of an agreeable person is a person who agrees with me.

Benjamin Disraeli 

Just because your voice reaches halfway around the world doesn't mean you
are wiser than when it reached only to the end of the bar.

Edward R. Murrow

Take care of the luxuries and the necessities will take care of themselves.

Dorothy Parker 

It is better to have a permanent income than to be fascinating. 

Oscar Wilde

I love being a writer. What I can't stand is the paperwork.

Peter De Vries

The nice thing about standards is that there are so many of them to choose
from.

Andrew S. Tanenbaum

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The Strange Origins of 17 Popular Songs

1. “MMMBOP” // HANSON

Yes, Hanson’s 1997 hit “MMMBop” contains such lyrics as “Mmm bop, ba duba
dop ba du bop, ba duba dop ba du bop, ba duba dop ba du.” And it was written
and performed by a trio of young brothers ranging from 11 to 16 years old at
the time. But that doesn’t mean it wasn’t deep. “It’s the most misunderstood
successful song of all time,” Zac Hanson told Entertainment Weekly in 2017.
“Even at the height of 1997, it’s a song nobody understood. [Ninety-nine]
percent of the people who have any reference from it don’t understand it.”
One month later, Zac gave an even more explicit answer about the meaning
behind the song while appearing on the Kyle and Jackie O. Show, stating:

"'MMMbop' represents a frame of time: 'In an MMMbop they're gone' it says in
the lyrics of the song. The whole song's about the fact that almost
everything in your life will come and go very quickly. You've got to figure
out what matters and you've got to grab onto those things."

So that’s what “ba duba dop ba du” means.

2. “THE WAY” // FASTBALL

Don’t let the catchy beat fool you: Listen to the lyrics of Fastball’s 1998
hit “The Way” and you might just notice that the tune is coming from a
pretty dark place. While lines like “And it's always summer, they'll never
get cold / They'll never get hungry / They'll never get old and gray” could
be mistaken for describing a kind of utopia where one would want for
nothing, the song in question is about the disappearance of Raymond and Lela
Howard, an elderly Texas couple who headed out one night to attend a local
fiddling festival and never came home.

The couple was found dead in their car two weeks later near Hot Springs,
Arkansas, several hundred miles from their home. Police concluded that the
Howards had gotten lost on their way to the event, became disoriented, and
accidentally drove off the road. (Raymond had recently suffered a stroke and
Lela had been exhibiting signs of Alzheimer’s disease.) Suddenly "The Way"
doesn’t sound as upbeat.

3. “TICKET TO RIDE” // THE BEATLES

There’s some contested history between John Lennon and Paul McCartney about
what “Ticket to Ride” was referring to, even though the song’s lyrics were
credited to both of them. In McCartney’s version, the ticket in question is
just that: a British Railways ticket to Ryde, a seaside town on the
northeastern coast of the Isle of Wight, where McCartney’s cousin owned a
pub (he and Lennon once hitchhiked their way there). Lennon, however, had a
different—and saucier—explanation.

According to journalist Don Short, who logged a lot of time traveling with
the band back in the day: “The girls who worked the streets in Hamburg had
to have a clean bill of health and so the medical authorities would give
them a card saying that they didn’t have a dose of anything. I was with The
Beatles when they went back to Hamburg in June 1966 and it was then that
John told me that he had coined the phrase ‘a ticket to ride’ to describe
these cards. He could have been joking—you always had to be careful with
John like that—but I certainly remember him telling me that.”

4. (YOU GOTTA) FIGHT FOR YOUR RIGHT (TO PARTY!) // BEASTIE BOYS

In 1986, the Beastie Boys gifted teens across American with a legendary
party anthem in “(You Gotta) Fight for Your Right (To Party!).” There was
just one issue: The song was written specifically as a mockery of party
anthems. “There were tons of guys singing along to ‘Fight for Your Right to
Party’ who were oblivious to the fact that it was a total goof on them,”
band member Michael “Mike D” Diamond said. “Irony is oft missed.”

5. “I WILL ALWAYS LOVE YOU” // DOLLY PARTON

Thanks in large part to Whitney Houston’s rendition of “I Will Always Love
You” in the hit 1992 movie The Bodyguard, the Dolly Parton tune became a
battle cry for deeply in-love couples who for, whatever reason, could not be
together. But Parton’s song wasn’t about a romance—failed or otherwise—at
all.

In 1967, country music star program Porter Wagoner invited Parton, then an
up-and-coming singer, to be a regular performer on his weekly TV show, The
Porter Wagoner Show, as well as to join him on the road. Five years later,
Parton was itching to move on from the show but Wagoner didn’t want to see
that happen. Parton knew that she owed a huge debut to Wagoner and, as she
explained to the Tennessean in 2015, wondered: “How am I gonna make him
understand how much I appreciate everything, but that I have to go? So I
went home and I thought, ‘Well, what do you do best? You write songs.’ So I
sat down and I wrote this song.”

6. “MOTHER AND CHILD REUNION” // PAUL SIMON

Paul Simon had a major hit on his hands with the 1972 song “Mother and Child
Reunion,” a reggae-infused meditation on death that came about from the loss
of a family pet. “Last summer we had a dog that was run over and killed, and
we loved this dog,” Simon told Rolling Stone in 1972. “It was the first
death I had ever experienced personally. Nobody in my family died that I
felt that. But I felt this loss—one minute there, next minute gone, and then
my first thought was, ‘Oh, man, what if that was [my wife] Peggy? What if
somebody like that died? Death, what is it, I can’t get it.”

Though lyrics like “I can’t for the life of me remember a sadder day” made
it clear that it wasn’t supposed to be a necessarily happy song, the
strangest part of this tale is where the title came from: “I was eating in a
Chinese restaurant downtown,” Simon explained. “There was a dish called
‘Mother and Child Reunion.’ It’s chicken and eggs. And I said, ‘Oh, I love
that title. I gotta use that one.’”

7. "BORN IN THE U.S.A." // BRUCE SPRINGSTEEN

America experienced a renewed sense of patriotism in 1984, when Bruce
Springsteen's "Born in the U.S.A."—the song and the album—dominated the
music charts. The Boss's raspy repeat of the fact that he was "Born in the
U.S.A." made the song seem like an American anthem for the 1980s. Except it
was more of a protest song, questioning the country's involvement in the
Vietnam War.

For his part, Springsteen called it "the most misunderstood song since
‘Louie, Louie.'" In a 1984 interview with Rolling Stone, Springsteen said:
"But when you think about all the young men and women that died in Vietnam,
and how many died since they’ve been back—surviving the war and coming back
and not surviving—you have to think that, at the time, the country took
advantage of their selflessness. There was a moment when they were just
really generous with their lives."

8. “WALK THIS WAY” // AEROSMITH

While putting together their iconic 1975 album Toys in the Attic, Aerosmith
knew they wanted to play around with a song that would infuse elements of
R&B and funk and get people up out of their chairs and dancing. Ultimately,
that song would become “Walk This Way.” But the tune was one of those
occasions where the music came before the lyrics.

“‘Walk This Way’ was this really cool riff and we got this whole thing
together but had no idea what we were gonna do on top of it, vocal-wise,
melody-wise,” guitarist Brad Whitford told Spin. “And then we watched Young
Frankenstein 
 There was a part where the main character arrives at the
train station in Transylvania and he’s met by this classic evil assistant,
who takes his suitcase for him and hobbles down the steps and says ‘Walk
this way,’ and to humor him he follows him down the steps the same way. So
we told Steven [Tyler], you’ve got to call the song ‘Walk This Way.’ Steven
was like, ‘You can’t tell me what to call the song, I haven’t even written
the lyrics yet!’ But we told him he had to do it. So he did." Fair enough.

9. “DUDE LOOKS LIKE A LADY” // AEROSMITH

“Walk This Way” wasn’t the only time Aerosmith turned a joke into a song
title. There was also “Dude Looks Like a Lady,” which came about from an
experience Steven Tyler had at a bar: As he glanced around the room, he saw
what appeared to be a young blonde woman with teased out hair. Upon further
inspection, Tyler realized that the “woman” in question was actually Vince
Neil from Mötley Crüe. Tyler later showed the tune, which he had renamed
“Cruisin’ for the Ladies,” to songwriter Desmond Child.

“I listened to that lyric, and I said, ‘You know what, that’s a very boring
title,’” Child recalled in 2016. “And they looked at me like, ‘How dare
you?’ And then Steven volunteered, sheepishly, and said that when he first
wrote the melody he was singing ‘Dude Looks like a Lady.’” But the band was
concerned that using that as the title could be offensive to the LGBTQ
community. “I’m gay, and I’m not insulted,” Child said. “Let’s write this
song.” (For the record: Vince Neil did learn that the song was about him
and, according to Desmond, “He had a good laugh.”)

10. “I CAN’T MAKE YOU LOVE ME” // BONNIE RAITT

Bonnie Raitt's “I Can’t Make You Love Me (If You Don’t),” a melancholy
ballad about unrequited love, was a major hit in 1991. But the song’s story
and refrain came from an even more unfortunate (and violent) real-life love
affair. The song was penned by popular Nashville songwriters Mike Reid and
Allen Shamblin, and the idea originated with Reid after he read an article
about a man who got drunk and shot up his girlfriend’s car. While standing
trial for the incident, the judge asked the man if he had learned any
lessons, to which he replied: “I learned, Your Honor, that you can't make a
woman love you if she don't.”

Raitt’s recording of the song went on to become one of her biggest hits: It
landed the eighth spot on Mojo Magazine’s 2000 list of the greatest songs,
came in 339th in Rolling Stone’s ranking of the 500 Greatest Songs of All
Time, and was inducted into the Grammy Hall of Fame in 2017.

11. "GOOD RIDDANCE (TIME OF YOUR LIFE)" // GREEN DAY

Throughout the late 1990s and early 2000s, no graduation ceremony or going
away party was complete without someone playing Green Day's 1997 hit "Good
Riddance." Between the title, its upbeat tune, and the repeated "I hope you
had the time of your life" lyric, it had all the makings of the perfect
ditty for bidding farewell to a great couple of months, or years, of your
life. In reality, Green Day frontman Billie Joe Armstrong wrote the song as
a bitter farewell to his girlfriend, who was leaving him and moving to
Ecuador. "I wrote the song as a kind of bon voyage," he told Guitar Legends
in 2005, where he admitted it took less than 10 minutes to write. "I was
trying not to be bitter, but I think it came out a little bit bitter
anyway." Try telling that to the class of '97. Or '98. Or '99. Or ... you
get the point.

12. “ROSANNA” // TOTO

In 1982, the same year actress Rosanna Arquette won an Emmy Award for her
role in the TV movie The Executioner's Song, Toto released their hit song
“Rosanna,” which was partly inspired by the actress (who was dating Steve
Porcaro, the band’s keyboard player, at the time). In the years since, the
band—and Arquette herself—have played down the idea that the song is about
her 
 though it does seem a bit too coincidental.

Fun fact: While he has never confirmed it, rumors have long circulated that
Peter Gabriel’s “In Your Eyes” (the song that Lloyd Dobler blasts from his
boombox in Cameron Crowe’s Say Anything) was also written for Arquette, who
was romantically involved with Gabriel for several years. (The fact that the
opening line to Toto's tune is "All I want to do when I wake up in the
morning is see your eyes" only adds credence to the argument that both songs
were written about Arquette.)

13. "MRS. POTTER’S LULLABY" // COUNTING CROWS

Rosanna Arquette isn’t the only actress to have inspired a hit song

although in the case of “Mrs. Potter’s Lullaby,” there was no romantic
relationship between the songwriter and his muse. In 1998, Counting Crows
frontman Adam Duritz reportedly developed a bit of a crush on actress Monica
Potter after seeing her in Con Air and Patch Adams. Cut to: Approximately
one week later, and the band is in the studio getting ready to record more
of their upcoming album 
 including “Mrs. Potter’s Lullaby,” Duritz’s ode to
an actress whom he had never met. That’s when a friend called to let him
know that she was having lunch with Potter’s agent at that very moment, and
they all wanted to meet him (Potter included). Duritz obliged.

As Duritz later told the Broward Palm Beach New Times, Potter then asked him
if it was true that he had written a song about her. “Well, no. I mean, not
exactly,” he explained. “It’s a song about an imaginary version of you. The
song is about what happens when you fall in love with people who don’t
exist, like with a person on the movie screen.” When he informed Potter that
he actually needed to leave to head back to the studio where he was
recording the song, she asked to come along and listen. And it was Potter
who, when Duritz decided the song was not ready for public consumption,
convinced him that it was great and to keep it on their upcoming album.

14. “
BABY ONE MORE TIME” // BRITNEY SPEARS

You could be forgiven for thinking that the 1998 song that turned Britney
Spears into a pop princess was called “Hit Me Baby One More Time,” as that
was the original title—and is very clearly the song’s refrain. But Spears’
record label was (rightly) concerned that the title would make it sound like
the song was about—or even worse, condoning—domestic abuse. The truth, it
turns out, is far less controversial: The song was written by Swedish
hitmakers Rami Yacoub and Max Martin, who thought the American slang term
for “call me” was “hit me” versus “hit me up,” hence the more
violent-sounding lyrics.

15. “JUMP” // VAN HALEN

The lead single from Van Halen’s hit album 1984 might be best remembered for
Eddie van Halen’s synthesizer solo and David Lee Roth hamming it up for the
camera in the video, but the song’s key direction to “Go ahead and jump”
takes on a more ominous connotation when you learn that the lyrics came to
Roth after he watched a news broadcast about a suicidal man standing on the
top of a building and threatening to jump. While the news report may have
put the word “jump” in Roth’s head, the band’s song is decidedly more
positive.

16. “ONE WAY OR ANOTHER” // BLONDIE

With its rock-heavy beat and powerfully delivered lyrics, Blondie’s “One Way
or Another” sounds like an anthem for empowerment. But listen more closely
and it’s clear that the title is more of a threat.

“I was actually stalked by a nut job, so it came out of a not-so-friendly
personal event,” Debbie Harry told Entertainment Weekly in 2011 of the
song’s genesis, which she wrote as a sort of revenge poem to the man who was
harassing her. “But I tried to inject a little bit of levity into it to make
it more lighthearted. I think in a way that’s a normal kind of survival
mechanism. You know, just shake it off, say one way or another, and get on
with your life. Everyone can relate to that and I think that’s the beauty of
it.”

17. “SUNNY CAME HOME” // SHAWN COLVIN

“Sunny Came Home” was a hit song off Shawn Colvin’s 1996 concept album A Few
Small Repairs that went on to win Grammy Awards for Record of the Year and
Song of the Year. Yet it was also a song that was inspired by the cover art
used for A Few Small Repairs. How did that chronology work, exactly?

“The inspiration behind that story came from the painting that I chose to be
on the cover of the record,” Colvin explained in 2017. “I just liked Julie
Speed’s work and I really wanted something different rather than a photo. In
the 11th hour, ‘Sunny Came Home’ was really barely there—in fact I think I
had it as ‘Jimmy Came Home’ at one point before I’d written the lyric to
‘The Facts About Jimmy.’ I looked at this cover and I thought, you need to
write a story about this woman on the cover who’s got a lit match and a big
fire in the background.” And with that, a Grammy Award-winning song was
born.

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What western hero was created by George W Trendle and Fran Striker?

A:  The Lone Ranger

In the book Animal Farm, what was the name of the horse?

A:  Boxer

The average American man does it in 11.4 minutes but women take 13 minutes
to do what?

A:  Shower

What is the odd thing about the ink used to print American money?

A:  It's magnetic

In a survey, what percentage of American wives thought their husbands were
cheating?

A: 90 %

What is the state tree of Montana?

A: The ponderosa pine

What was the name of the first series of U.S. postage stamps ever produced
outside the country?

A: Great Americans. The series, introduced in 1991, was printed in Canada.